Publishers Weekly:

“De Souza’s character drawings are simple, but set in swirling and broken-open panel layouts that communicate the tale’s woozy connectivity. He embraces an overtly cubist style, scrambling and reframing narrative, and deconstructing the expectations of comics form. It’s an emotionally expansive rendering of a pained but doggedly optimistic quest for permanence “in the horrible and the beautiful.”

Read the full review on Publishers Weekly’s website here!